#Armor wars 2015 series
#Armor wars 2015 tv

There are also several more titles in development, including a show set in the Kingdom of Wakanda and a second “WandaVision” spin-off featuring Paul Bettany’s Vision (or his ghostly doppelgänger).Īnd after the debut of “What If…?”, multiple animated titles are on their way to Disney+, including Marvel Studios’ first swing at “X-Men” following Disney’s acquisition in 2019 of 20th Century Fox.

#Armor wars 2015 series

On Disney Plus, we’ll see a “WandaVision” spinoff starring Kathryn Hahn a revival of Netflix’s “Daredevil” series and a “Wonder Man” show with Yahya Abdul-Mateen II. The downshift also means that several live-action and animated titles that had initially been announced to debut in 2023 have been pushed to expected releases in 2024 - or off the schedule entirely.įurther on the horizon: sequels to “Captain America” with stars Anthony Mackie and Harrison Ford and director Julius Onah, and “Deadpool” with stars Ryan Reynolds and Hugh Jackman and director Shawn Levy as well as long-anticipated reboots of “Blade” with actor Mahershala Ali and “Fantastic Four” with director Matt Shakman. Marvel is finally starting to slow down, however, with merely six releases - three films, and three Disney+ series - inaugurating Phase 5 in 2023.

#Armor wars 2015 tv

That’s also dramatically accelerated the pace of Marvel’s storytelling: When the Multiverse Saga - which is currently set to span at least 37 titles across feature films and TV series (live-action and animation) - concludes in May 2027 with “Avengers: Secret Wars,” it will have lasted roughly half as long as the Infinity Saga. The abrupt explosion in Marvel content is a direct result of the launch of Disney+, of course, and the mandate to populate Disney’s streaming service with a regular pipeline of episodic TV series within the MCU. Then, over just two years, Marvel Studios released 17 movies and streaming titles in Phase Four of the Marvel Cinematic Universe, the first act of what studio chief Kevin Feige has christened the Multiverse Saga. Of all the Secret Wars spinoffs, Armor Wars performs as one of the best at keeping itself within manageable boundaries of narrative pacing and character development.From 2008 to 2019, Marvel Studios released 23 feature films in the three phases of the Infinity Saga, the most ambitious cohesive storytelling endeavor ever mounted by a single studio. Overall, however, Armor Wars is an enjoyable read, a dark mystery driving toward an action-packed climax. There are a couple of points where the story slows down more than is perhaps ideal for Armor Wars' overarching plot, pacing which would be better-suited for a series that is not limited to a five issue run. The theme of where man ends and machine begins is certainly common to Iron Man-centric tales, but it is fresh to see a large portion of the story through the eyes of youth Kiri and Lila. Armor Wars also offers a few really strong plot twists, while simultaneously avoiding playing on a scale too grandiose for its own coherence. The constant threat of being exposed to the natural world paints an eerie world where humans grow to accept rocket-powered machinery as an extension of themselves. These interwoven plot threads make for a decently compelling narrative, while also preventing the story from becoming too convoluted.Īrmor Wars is a standout entry among the Secret Wars spinoffs for the manner in which it handles its processes of world-building. Meanwhile, Arno Stark begins sending reconnaissance troops like Stingray to scope out just what his brother Tony, Kiri, Lila, or anyone else who may have interacted with Spyder-Man are up to. James Rhodes, meanwhile, begins his own investigation into the death of Spyder-Man, suspecting that Kingpin Wilson Fisk might have some involvement. And young Kiri Oshiro and Lila Rhodes, both resourceful teens who know a thing or two about tinkering with and repurposing the tech of these armored suits, begin unraveling the mysteries surrounding the death of Kiri’s boyfriend Peter Urich, aka Spyder-Man. James Rhodes is Tecnopolis’ designated Thor, wielding a giant hammer and shiny Asgardian-inspired mechanical suit.

Tony Stark is resident baron, and often clashes with his brother Arno. Technopolis, as its name implies, is a sprawling hyper-futuristic metro, where all citizens are forces to wear variants of the Iron Man armor to prevent themselves from contracting a lethal virus that was unleashed on the region many years prior.